LATEST NEWS
Horoscope today: Daily star sign guide from Mystic Meg on January 27 | The Sun Ramona Singer says she’s ‘never been happier’ since leaving ‘RHONY’ One of the stars of Emily in Paris joins the cast of Father Brown Iowa Proposes SNAP Benefit Restrictions Akin to WIC — Anti-Hunger Advocates Strongly Opposed EastEnders fans emotional as ‘beautiful and brave’ Lola ties the knot with Jay Pamela Anderson defends Tim Allen after he allegedly flashed her Universal International Studios’ London-Based Studio Head David O’Donoghue to Depart After 15 Years (EXCLUSIVE) 'Fire Country' Special Episode 1st Look: Sharon's Back on Duty Amid Kidney Woes Julia Fox's Perfext Man Is… ‘Dateline’ Renewed For 7th Season On NBC Television Stations
The French Dispatch REVIEW: A disjointed, humourless Wes Anderson film
We use your sign-up to provide content in ways you’ve consented to and to improve our understanding of you. This may include adverts from us and 3rd parties based on our understanding. You can unsubscribe at any time. More info
While the production design is predictably striking, Anderson’s disjointed 10th film doesn’t have the humour or the emotional heft of his other movies The Grand Budapest Hotel and Moonrise Kingdom.
Bill Murray plays the magazine’s editor, Jeffrey Wright is a restaurant critic who gets caught in a kidnap plot, Frances McDormand and Timothee Chalamet are manning the barricades of a student revolution, and Benicio del Toro is a murderous artist.
Source: Read Full Article